…when I first heard TILT I was blown away with it (more…)

“where do you start with a voice like that… (more…)

“…Cause’ I thought he’d been somewhere like Berlin or Amsterdam or somewhere like that, Paris, whatever, he went ‘no, I’ve been in London all the time - its very easy to disappear.’ Which I was very surprised about, at which point he then disappeared again, he just vanished.”

It’s horrible but it’s romantic… (more…)

“…a year or so ago, when I met with David Bates, Former A&R man and founder of DB records, (who was responsible for releasing TILT in the UK while at Fontana) he said a film about Scott should be like a cross between The Blair Witch Project and Waiting for Godot.� I laughed then but now, it makes pitch perfect sense.� Filmmakers lost in the wilderness, terrified by, yet drawn to, the strange percussive sounds and yelps in the darkness…could this be the sound of the new Scott Walker album?� Will we live to tell?� As of today, October 10, 2004, we are still waiting.”

welcome to the making of…the theory behind…the thoughts about…this film we are to call…
‘30 Century Man: the music of Scott Walker’.

in the days/weeks/months to come:

news of our progress
excerpted interviews
filmmaker’s diary
who’s who
what’s what

many pieces/never easy